Thor ragnarok music
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There’s a reason The Dark World is the lowest-rated MCU movie on Rotten Tomatoes - a little of that franchise goes a long way.
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The stories in those movies were incredibly boilerplate, even by Marvel standards: In the first, treachery gets Thor exiled to Earth and he fights an ancient robot to get back in the second, a bunch of very old and very bad dudes try to destroy the universe and Thor stops them. But while folks love Cap’s Sam Wilson and Iron Man’s Pepper Potts, I challenge you to find more than a few people with deep emotional attachments to, say, Thor’s Fandral or Darcy Lewis.
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THOR RAGNAROK MUSIC ARCHIVE
To be fair, the Thor-Loki relationship sparked a wildfire of fan enthusiasm (just take a look at the “Loki/Thor” tag on fanfiction trove Archive of Our Own). The Thor line, by contrast, hasn’t exactly caught the world by storm. It would feel profoundly weird to do a sequel to either one that went for opulent psychedelia, or featured a cast of exotic freaks. The other characters in the MCU who’ve gotten their own lines of films have created successful aesthetic formulas that have drawn devoted fanbases: The Iron Man movies are obsessed with technicolor rainbows and rock-and roll-refrains the Captain America trilogy traffics in muted palettes and earnest tales of American ideals clashing with a challenging world. Key here is the fact that Kevin Feige and his fellow chieftains at Marvel Studios would be unlikely to face significant audience backlash if they abandoned the previous approach to Thor stories. Sure, Guardians of the Galaxy might have been slightly funnier and more visually abstract than Captain America: Civil War, but you don’t walk out of either going, “Jesus, that was depressing” or “Wow, what a cool idea it was to include a dream ballet!” Indeed, after the notorious departure of Edgar Wright from Ant-Man, rumors have swirled that the director clashed with Marvel over how much of his personal stamp he could put on the film.Īnd yet, there’s reason to be hopeful that Ragnarok might live up to Waititi’s promise that it will stand on its own. A certain degree of homogeneity is the order of the day, so as to make sure a moviegoer can ease into their seat with the comforting knowledge that they’ll mostly get what they expected to see. The collective enterprise has been something of a return to the Old Hollywood studio system, where directors’ unique flourishes are only possible in the margins of a given film. Nearly a decade into Marvel’s box-office ascendancy, one is tempted to respond to claims like that with a rolled pair of eyes and a hearty, Yeah, good luck with that. “They’ve been very accepting of my style,” he said. Astoundingly, he even admitted that he’s never seen Captain America: The Winter Soldier, the film that’s often regarded as the MCU’s peak. “You can expect a Taika-esque tone,” he added. “I made an effort to ignore the fact there are other Thor films,” he declared in a Reddit AMA this weekend. The Kiwi director is helming next year’s Thor: Ragnarok, and though it’s the third installment in the Thor sub-franchise, Waititi has made it clear that he wants it to feel sui generis.
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The movies make eye contact with us while cracking a little half-grin in the sunlight and putting their dukes up playfully. The MCU is largely about tales of noble-but-flawed misfits in brightly colored outfits tossing out quips with audience-surrogate sidekicks while combatting megalomaniacal baddies. As I’ve argued before, that baker’s dozen of hit flicks have turned the global entertainment economy on its ear in no small part because they’ve found a winning aesthetic and, more often than not, stuck with it. But let’s be honest: It’s not that hyperbolic. Offer it to them straight up… they are worth it.It would probably be hyperbolic to say the 13 existing movies in the Marvel Cinematic Universe are an aesthetically indistinguishable mush. “I have a feeling if you want to entertain that idea of using music, you have to have the money,” he said. Waititi was fortunate to have Marvel Studios’ parent company Disney foot the bill. Thor: Ragn aro k director Taika Waititi was reportedly adamant about getting it in his film. Back in 2015, before the New Zealand director was even hired for the project, he included Immigrant Song in an early demo reel for Marvel executives. How hard was it for the filmmakers to get the rights to use Immigrant Song? Of course it would be the perfect fit for the new Thor movie. The lyrics tell the story of Norse mythology and viking fantasy involving great battles and the Hammer of the Gods. Led Zeppelin is notoriously picky about licensing their music for films and TV, and Immigrant Song has only made its way into a few, including School of Rock.